Media for Carrie Underwood’s 4th album, Blown Away, is starting to kick into high gear. Check out storyline and lyrical song spoilers from the new album, the identity of the high profile guest on the album plus CONFIRMED international tour plans after the jump.

With the release of Billboard magazine’s new Carrie cover story and Carrie’s new official biography, plus spoilers from country media outlets who are beginning to get access to Blown Away, there’s more and more indications of the musical and lyrical ambition and diversity on Blown Away. From her bio:

Teaming again with producer Mark Bright, Carrie delivers a 14-song collection that covers a particularly vast expanse of emotional territory. She celebrates the understated pleasures of small-town living in “Thank God For Hometowns” and explores the exquisite fragility of life in “Forever Changed.” She’s not averse to tackling abuse and betrayal then doling out a little sweet revenge with such compelling tracks as “Blown Away” and “Two Black Cadillacs.” Musically the songs range from rollicking up-tempo anthems, such as her smash first single “Good Girl” to the island-flavored escape of “One Way Ticket” and the steel guitar-laced country lament of “Wine After Whiskey.”

The revenge theme is going to feature in some key tracks, including the title track:

“I got chills,” Carrie says of the first time she heard the Josh Kear/Chris Tompkins penned stunner. “I remember where I was when I heard it and called my manager and said, ‘Do not let anyone else have this song. It’s my song.’ It’s such a visual song. You listen to it and you can see everything that is happening. It’s so dramatic. I’m not a drama person, but when you can make a movie in song form in 3 and a half minutes, it’s surreal.”

Sony Nashville’s chairman and CEO Gary Overton confirms the mini-movie nature of some of the Blown Away songs, which may explain why the video shoot for “Blown Away” took place over 5 days according to Facebook posts from the video art director (this Carrie twitpic is likely from the video shoot, and this picture definitely is). Billboard reveals a lyric from “Blown Away” which starts with the ominous forecast of stormy weather about to hit an Oklahoma town: “Some people called it taking shelter, She called it taking sweet revenge.” Carrie tells Billboard about the title track:

I’ve never been so excited to hear a demo as I was that one. I got chills…we needed to find things that would fit with this [song], because if I found 13 other tracks that didn’t match with that one, I’d start over and keep that one.”

“Two Black Cadillacs”, a song Carrie cowrote with Josh Kear and Hillary Lindsey seems to fit since her bio describes that one as “the story of a wife and mistress who conspire to get even with the man who betrayed them both”. Hunter Kelly of Premiere Radio Networks describes that track as “deliciously dark”. No wonder Carrie told Rolling Stone magazine:

“I told my producer, ‘You guys need to watch a Mexican soap opera before you come in to start doing this. It just needs to have drama.’”

Then there’s “Cupid’s Got A Shotgun” which Becca Walls of The Country Vibe describes as describes as a “light-hearted ‘Gunpowder & Lead’” and features a Brad Paisley guitar solo:

“Cupid’s Got A Shotgun” is another of the album’s high-energy tracks, and it gets an extra kick from Paisley contributing his signature guitar licks. “Once we got into the studio, I was like, ‘Brad Paisley HAS to play on this. He’ll make the song,’ ” Carrie says of the tune she wrote with Kear and Tompkins. “We left so much space in the song for him to come in and play. He did his thing and sounded awesome. He added that last piece of the puzzle, and it’s just so country. It’s really cool.”

“Blown Away” and “Two Black Cadillacs” have been described by Tammy Ragusa of ABC Radio Networks and Becca Walls as two of the album’s biggest surprises, but the surprises continue with “One Way Ticket”, a song Carrie wrote with Hillary Lindsey and Luke Laird that Billboard describes as “calypso flavored”. Carrie talked to Billboard about the process of tracking the song with studio musicians she describes as “perfectionists”:

“I needed them to make some mistakes, to not be so perfect, or else the song [wasn't] going to sound genuine. So we brought in margaritas and made them all drink. We didn’t make them, of course-they were more than happy to drink while they were playing. It helped. It gave everybody a looser feel.

On the sentimental side there’s “Forever Changed”, a song cowritten by Tom Douglas, Hillary Lindsey, and James Slater that Billboard describes as a “ballad that follows a woman from her wedding to motherhood to her senior years and a failing memory.” Carrie says: “I had a hard time recording it, and I still have a hard time listening to it” because the song makes her so emotional. Then there’s “Thank God For Hometowns” which Carrie says she heard “when I was going back to my 10-year high school reunion. I listened to the demo when I was driving in to go stay with my parents. It was just very fitting in my heart at that time.”

Blown Away also features some message songs, including “Nobody Ever Told You” which Becca Walls describes as “bouncy with a Paul Simon-ish vibe.” Of that song’s uplifting message Carrie says, “People need to hear compliments more. People need to hear ‘I love you’ more. People need to hear ‘You are beautiful’ more.” Then there’s “Good In Goodbye”, which Carrie cowrote with Hillary Lindsey and Ryan Tedder which features the lyric:

“As bad as it was/As bad as it hurt/I thank God I didn’t get what I thought I deserved.”

Meanwhile, Carrie talks to Billboard about international touring plans. She starts by discussing 2011′s Australia promo tour

“We did a lot of radio stuff, met a lot of people, did some TV. It was basically just to say ‘Hey, thanks for all your support so far.’ There are definite plans to go back to Australia. I don’t want to force anything. I’m busy enough here but if we could open the doors a little wider and include more areas of the globe, that would be pretty awesome.

The senior VP of marketing at Sony Nashville Paul Barnabee says:

“Our international marketing plan for Blown Away has changed from prior releases. Most releases from Nashville are developed here and ‘pushed’ into foreign markets. However this long-awaited release is creating a ‘pull’ into these markets. As a result, we are experiencing great proactiveness from our territories, which allows us to collaborate with them on marketing campaigns at a higher level than ever before.”

Barnabee notes they’ve secured mid-June release dates for Blown Away internationally which will be closer to the US release date while still allowing Carrie to do overseas promo.

One example of that is the scheduled June 18 UK release of Blown Away. Dan Wootton, editor-at-large for Now magazine in the UK tweeted:

Just interviewed @carrieunderwood – one of my favourite American singers. Guess what? She’s finally coming to the UK!

He followed that by saying:

Think all revealed about Carrie Underwood’s UK plans next week. But it’s about time! If you haven’t heard her, first single is Good Girl.

“Good Girl” is currently A-listed on BBC Radio 2.

Check out the full tracklist and songwriting credits for Blown Away here.

Busy times ahead for Carrie! Which tracks from Blown Away are you most excited hear?

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  • http://profile.yahoo.com/GEE7ION6BPL2BYNNHADS6AVCJM wutwut

    So, so, so, so excited!!! (Sorry I can’t help it!)

  • http://pulse.yahoo.com/_SYFK77IYLRQIVATQ2MJKSW2J7Y Pam

    Wow.  Carrie sure is one busy girl!  I’m sure the overseas tour will be very exciting for her.  Can’t wait to hear the album!  Thanks windmills!  :)

  • Anonymous

    There were some industry people who’ve listened to the album already. Very positive tweets from them. One of them tweeted that the songwriting is outstanding and the production is fabulous. That made me extremely happy lol, as I know her past albums have received some criticisms with the production. Looking forward to this album. 

  • http://pulse.yahoo.com/_AGWO435FL6UN2ICRVTFLWRJZSA Lexie

    Wish her the best, just hoping for some country, country music on here:)))  So glad for her going international!!

  • http://pulse.yahoo.com/_NDYOWBIIPZU6PBRHGOPT2ZZJXQ sweetmm

    Is she known outside USA?  I always look at her as the epitome of an American Idol unlike Kelly Clarkson.  Kelly is currently the only international star from the pool of AI winner; most of the other recognised international stars that came out of AI are not the winners. Maybe Jordin Sparks due to the “No Air” success worldwide but she still can’t sell international arenas like Kelly.

  • Anonymous

    That’s a smart thing for Carrie and her label to do, expand beyond the States and Canada. That’s what the rest of the Idols need to be doing. 

  • http://twitter.com/bbmetsfan andy

    Thanks for the great write-up.  Can’t wait to hear the new songs.

  • http://www.facebook.com/people/Simon-Torales/100003677687157 Simon Torales

    The world will be “Blown Away” for Carrie Underwood this year !!!!!

  • Anonymous

    is it may 1st yet :(.

  • http://twitter.com/Gemini_Dolly J3%%!C@

    Finally. Carrie can be just as much an international star as Kelly Clarkson. She just needed the chance. I never understood why her label never tried to expand her audience beyond U.S. and Canada. But as the old saying goes….better late than never.

  • windmills

    There are definitely some songs that Billboard describes as “stone cold country”. Wine After Whiskey, which has been singled out by 3 out of the 4 people who’ve tweeted about hearing the album as an album highlight, is a country ballad (I heard the full demo a couple years ago), and Cupid’s Got A Shotgun was described by Hunter Kelly as “a touch redneck”, plus Carrie says it’s very country. The demo of Leave Love Alone was roots country and Becca Walls mentioned they kept the mandolin intro so I’m thinking they kept that one country too.

    The partial demo of Thank God For Hometowns sounded country or at least country/pop and Becca Walls tweeted Thank God For Hometowns and Forever Changed (a story song) had the sparsest arrangements on the album. Sparse doesn’t necessarily mean country, but with the subject matter of both songs they sound like they’ll take a pretty country approach. Becca Walls also tweeted that Do You Think About Me reminded her of Strawberry Wine though she didn’t say whether that was just because of the lyrics or also the sound.

    Lyrically it sounds like Blown Away and Two Black Cadillacs take that country storytelling approach. How country they’ll sound though is unknown. Becca Walls tweeted that Blown Away the song sounds like “Independence Day meets the Eurythmics” so that’s probably not a traditional country song. Good Girl is obviously more of a rock song. I think See You Again is going to be pretty poppy too.

    So, everybody seems to be saying to expect a mix on the album, but with a country core. From the sounds of it Good Girl doesn’t represent the sound of the album.

    sweetmm: Is she known outside USA?

    Carrie’s had a string of t10 country hits in Australia (which has a vibrant country scene) so between that and her promo tour there last year, she’s well known enough. And, apparently there’s enough demand in some foreign markets that they were proactively seeking to get Carrie over there to promote Blown Away. As posted, Good Girl is getting airplay on BBC Radio 2 in the UK. She was paid a lot of money to perform at the ION Orchard opening in Singapore and got a great turnout there too if I remember right.

    I don’t think Carrie absolutely has to go international but it seems like she does have a significant contingent of long-suffering fans overseas who’d love the chance to see her live. So, I hope as many of them as possible get their wish.

  • nemo

    Love Love LOVE this write up! SO EXCITED FOR THE ALBUM!!!

  • Anonymous

    I got a chance to hear the songwriters demo of the song “Blown Away”. One of the most intense songs I’ve heard. The lyrics and the arrangement were genius. I will buy the CD based off that one tract alone.

  • Anonymous

    Now I understand why cute and wholesome Daisy in her hair Carrie changed into  sultry, sexy Carrie.  She has worked hard and is a great singer so wishing her good luck on her new venture.

  • windmills

    jean1010: Now I understand why cute and wholesome Daisy in her hair Carrie changed
    into  sultry, sexy Carrie.  She has worked hard and is a great singer
    so wishing her good luck on her new venture.

    You do realize that this photo was also part of the Play On photo shoot, right? Point being:  there’s always been the occasional sexy, sultry aspect in Carrie’s photo shoots and there’s always been the wholesome side too. I could go back and show you mag covers & photos from the past 5 years as more proof. That’s not changing now. Case in point: here are the 2 possible covers for Carrie’s upcoming Country Weekly cover story, they’re both from her Blown Away cover shoot:

    Choice 1
    Choice 2

    This idea that Carrie’s suddenly gone sexy/sultry for international promo can only be coming from people who haven’t been paying attention. She’s experimented with looks over the years. Her overall sense of aesthetic has evolved over the years, but she’s been mixing it up with different looks since the Carnival Ride era which was back in 2007. The Good Girl video obviously focused on that.

    What IS different is her album cover’s fiercer this time. She said that was dictated by some of the songs, and based on the dark descriptions of Blown Away (song) and Two Black Cadillacs, it makes sense.

  • Anonymous

    This makes me even MORE excited for the album. i didn’t know that was possible. can it be may please already?

  • http://pulse.yahoo.com/_AGWO435FL6UN2ICRVTFLWRJZSA Lexie

    Thanks, Windmills, as always, for your in-depth responses—I really appreciate them!!!!

  • Anonymous

    Windmills, I gather from the tweets that the styles are varied and diverse, but I’m curious whether they were able to maintain a country core to each song. I know Carrie will always be influenced by various music genres, but I hope she’ll keep her country influence very prominent. With Play On she had songs that are very country with Someday I’ll Stop Loving You, Songs Like This and Look At Me, but she also had songs like Undo It and Unapologize that are not very country and I thought were out of place. And I really did not like Quitter by the way. Thanks!

  • http://twitter.com/leilamaurizia2 leilamaurizia

    As always, thank you for your comprehensive, well thought-out posts, windmills!

    I love the descriptions and storylines so far for “Blown Away” and “Two Black Cadillacs.”  I’m most excited for those now!

    It’s interesting that majority of those who have heard the album picked out “Wine After Whiskey” as a standout.  Carrie’s version must have elevated the song because the demo wasn’t particularly outstanding for me.  Looking forward to hearing the album track!  Speaking of songs previously considered for earlier albums, I’m almost at 95% acceptance that “Oklahoma Wind” will never make it on any Carrie album… which is truly a damn shame.  Up to now, that’s Carrie’s BEST co-write and is just a really beautiful song.  This is an instance where I disagree with Carrie’s stand that because her worktape was leaked, OW won’t ever be on any of her albums.  Along with punishing the leakers, she’s punishing me!!

    Two weeks to go!  Wahooooo!

  • Anonymous

    Oh, I agree regarding Oklahoma Wind. I consider it her best co-write, a classic country song. Shame that we probably won’t get to have that on her future albums. 

  • Mike M

    Great job as always, Windmills. You’re the best.

    ETA: Me three on Oklahoma Wind.

  • windmills

    Wentworth1978: Windmills, I gather from the tweets that the styles are varied and
    diverse, but I’m curious whether they were able to maintain a country
    core to each song. I know Carrie will always be influenced by various
    music genres, but I hope she’ll keep her country influence very
    prominent. With Play On she had songs that are very country with Someday
    I’ll Stop Loving You, Songs Like This and Look At Me, but she also had
    songs like Undo It and Unapologize that are not very country and I
    thought were out of place. And I really did not like Quitter by the way.
    Thanks!

    Good Girl doesn’t really have much of a country core so I think there’ll be some other songs on the album that don’t (IMO: See You Again, Nobody Ever Told You). And, both the Billboard article and Carrie’s bio talk about her versatility in being able to go from singing with Steven Tyler to singing with Tony Bennett to having a hit contemporary country duet with Brad Paisley (there’s also the traditional country duet with Randy Travis from last year and HGTA but those aren’t mentioned in the bio). IMO when that stuff is at the forefront of the PR it’s a signal about the album.

    That being said, it still seems like the album as a unit will have a country core. I expect more of the songs will be legit country than not and the ones that aren’t are going to be more upfront than ever about not being country (a la Good Girl). I’m not getting the feeling of a Taylor/Lady A situation here where there’s like one token country song on a pop album. 

    But, I’m just going off the info everybody has. The other big vibe from the people who’ve heard the album is that though there’s some songs that are in the lane of what you’d expect from Carrie there are a quite a few that are completely unexpected and some of those completely unexpected songs are going to be key tracks from the album.

  • http://pulse.yahoo.com/_I3NQHPT3NA6VGKK22RCMTGOCII Tiffany

    I like both sides of Carrie equally although country music is my first love.  While I liked Cowboy Casanova, I hated the video.  I don’t like either Good Girl or the video.  I don’t mind Carrie sexing it up a bit looks wise, I just hope they don’t push her too far over.  I think thats why I really dislike the Good Girl video.

  • Anonymous

    One thing I’ve been wondering about Oklahoma Wind. Wine After Whiskey’s full demo also leaked (I don’t know if Carrie was the one on vocal or another singer), but then Wine made it to this album, while Oklahoma was benched because of the leak. Why forgive the Wine leak but not Oklahoma leak? I’m not complaining btw lol, esp since Wine apparently is being praised by those who heard the album, great that it’s included in the album. I’m just kinda frustrated that a song as beautiful as Oklahoma Wind will not see the light of day. I hope Carrie will reconsider. 

  • http://twitter.com/leilamaurizia2 leilamaurizia

    Carrie’s actual worktape for Oklahoma Wind (with her vocals, recorded in the songwriting session) was leaked.  Only the demo (with another singer’s vocals) for Wine After Whiskey leaked.  They take down demos to keep album tracks fresh and new for everyone when the album gets released.  Carrie’s worktapes are an entirely different, graver issue.  Carrie feels “robbed” when they leak.