I’m going to be perfectly honest. I’d rather be watching the 121212 Concert for Sandy relief tonight, rather than what will likely be awful performances on The X Factor. Paul McCartney is performing with the remaining members of Nirvana for starters. Sigh. If you want to check it out, The event begins at 7:30 et. WATCH HERE.

Kelly Clarkson’s Latest Diva News Has Us Hyperventilating – Grab your inhalers Kelly Clarkson fans, because we have it on good authority that she will be throwing down a live version of her latest single “Catch My Breath” on VH1 Divas Sunday. Anyone who saw her perform the midtempo dance track on the American Music Awards, caught her brilliant VH1 Divas Celebrates Soul sets last year (ahem, she killed it wearing a cast on her foot) or watched her Unplugged gets why this is a BFD. – Read more at VH1.com

Adam Lambert Calls Natasha Bedingfield, Bootsy Collins, Iggy Azalea, VH1 DIVAS Collab “F-ing Genius”. – It wouldn’t be VH1 Divas week without a daily dose of this year’s host Adam Lambert. And guess what our fearless dance party maestro had to say when we told him Natasha Bedingfield, Iggy Azalea and Bootsy Collins are performing Deee-Lite‘s “Groove Is In The Heart” this Sunday? The only appropriate response: “That’s f***ing genius! I love that song!” – Read more at VH1

Nicki Minaj’s “American Idol” Arrival – Gearing up for another workday, Nicki Minaj showed up on the set of “American Idol” in Los Angeles yesterday afternoon (December 11). The “Super Bass” rapper looked curvaceous as she squeezed into a form-fitting yellow dress as she exited her trailer, only to be captured on film by a sneaky shutterbug. See the Photos at Celebrity Gossip

‘X Factor’s’ CeCe Frey on Being Inspired by Adam Lambert, Getting Advice from Ke$ha: ‘I’m Ready To Raise Hell’ (Q&A) – “In every competition show, I don’t care what kind of contestant you were or how much people liked you or disliked you — everybody gets the courtesy of a look back on their journey,” Frey told The Hollywood Reporter four days after her elimination. “Not just for them, but for the people out there supporting them,” she said. “You have to wonder, what was so different about me, or my elimination or my time on the X Factor?” She has a point. It hardly seemed like a fitting ending for a girl that essentially started out being packaged as one of those reality-show cookie-cutter villains with a big ego and a bad attitude. However, as the competition went on, audiences saw a whole other side of CeCe Frey — one that we at THR found, well, cool. – Read more at the Hollywood Reporter

Top 4 Tate Stevens Interview: Dethroning Carly Rose Sonenclar

Go Inside The Nobel Peace Prize Concert

ETonline scored a sneak peek inside the venue and is pleased to bring you highlights from the 2012 Nobel Peace Prize Concert, including numbers from Kylie Minogue, Ne-Yo, Seal and Jennifer Hudson’s tribute to Whitney Houston! Watch!

ETOnline

 
  • http://twitter.com/Sassycatz Sassycatz

    I was amazed at how many WGWG they had doing the Hurricane Sandy concert! Don’t they know how bored and tired we are of them, especially since they’re all the same! ;-)

  • bridgette12

    Let’s get real, there is no comparison between the WGWG on the Hurricane Sandy concert and the WGWG that Idol has produced.  

  • http://twitter.com/Sassycatz Sassycatz

    Everybody has to start somewhere. Not all of these guys, from last night’s show, were immediate stars right out the gate. Just as with all other types of singers/performers, building a career takes work, time (and a bit of luck) and there will be ups and downs along the way.

  • mjsbigblog

    The fact that crickety white guys with guitars made up much of last night’s benefit entertainment probably had more to do with who put the show together than anything else.

    I’m not that girl who complains about how much today’s music sucks, and back in my day blah blah blah. One of the best performers last night was Kanye West in his leather kilt. Heh. 

    To be honest, my bathroom break came during Billy Joel’s set. 

  • standtotheright

    “Once all these baby boomer rock stars die, how will we ever have another benefit show?”

    The Boomers themselves will die and benefit shows targeted to them and their particular tastes will be supplanted by shows featuring the musicians that GenX and the Millennials will pay to see play MSG for disaster relief. Organizers admitted that they deliberately targeted boomers because that’s where the money is…now.

    Will benefits be able to raise the same amount of money if average standards of living stagnate and increasingly fractured listening habits mean that fewer acts are capable of drawing arena-level eyeballs on their own? Probably not. Will they be able to raise enough money to do some major good? I’d say that’s a near certainty.

    In the meantime, I don’t think that “we care about the needs of a demographically diverse population in NYC and NJ metros” is the message people were getting from the massive amounts of rockist bittercakery I saw last night when, for 20 whole minutes at a time, the show focused music from artists outside heritage rock bands. And I was excited for many of those heritage rock bands, for the record.

  • mmb

    who knows what the future will hold for ANY idol contestant — WGWG or no.  I never in a million years would have thought back in the 80s that Bon Jovi would have the career they have had.  They were initially thought of as just another disposable hair band.  Madonna was widely expected to be a flash in the pan when she first broke through.

    I expect that those diva, r&b, pop, dance folks currently in their teens thru early thirties who prove to have staying power will be the ones performing in these benefit shows once the baby boomer rock stars die off…just like the boomers parents’ generations favorite acts were the ones to do theses sort of things 30-40 years ago.  I actually thought it was a bit startling that there was only one woman performer and one or two under the age of 45.  I thought that was more of an oversight by the concert organizers than proof that only legacy acts make good music.

  • Incipit

    Not all of these guys, from last night’s show, were immediate stars right out the gate.

    Absolutely true, Sassycatz – many of us were around for those early days, and hung in there for some rocky times (you should excuse the pun). “Everybody has to start somewhere.” My brief with people who want to dismiss the guys who play guitar today is they also tend to want to demolish the starting gate for them. 

    That Twitter remark has more than a little grain of truth. The benefit show was designed to get donations – the organizers knew who to appeal to, who had the deep pockets, and for once, no one was looking at the prime Ad Market. Heh. And yes, I absolutely get the irony, Sassycatz. It sorta jumps out there. *snerk*

    The Baby Boomer Generation covers a lot of years – and we still buy music. The Advertisers on radio and TV may not like how the Boomers aren’t susceptible to their Bright New Products, don’t have to own The Latest Thing and the music industry as it is nowadays allows the advertisers to drive the market, not the music. But our adherence to the styles of music we grew up with is a positive for the artists. And, as it turns out, for charitable causes we can afford to support.

    The organizers could have put together a benefit show with any genre predominating that they wanted – they chose these Wonderful Guys With Guitars, and these guys more than delivered the entertainment, and buzz all over the Social Apps. It will be interesting to see how the audience did with the donations, which was the point.

    IMO. Of Course.

  • http://twitter.com/Sassycatz Sassycatz

    Let no one think that I’m saying I wanted to see a show, last night, with only WGWGs or was pleased that they only had one woman performer. (After all, there are some women singers who play guitar as well! ;-) I’m just addressing the constant and continual disdain being dished out by some idol fans and the media towards any young white male who happens to pick up a guitar and sings on Idol. To me, it’s no different then constantly dissing all performers of a particular race or gender who sing a genre “you” don’t favor, without addressing them as individuals with their own unique take on their talents and their own roads to hoe in an industry and current popular climate that isn’t favorable to them. And I wouldn’t be so sure that once the baby boomers and the entertainers they’ve loved die off that another generation won’t be interested in people with similar talents. After all, these same youngsters show up at these concerts and seem to be having a blast. And it isn’t because the performer is male, or white, or plays a guitar but it’s because they are talented.

    My brief with people who want to dismiss the guys who play guitar today
    is they also tend to want to demolish the starting gate for them.

    Although I think you meant to say “beef” … very, very well said. By limiting who gets in the door and writing them off before they even begin, you are lowering the overall potential.

  • Incipit

    Although I think you meant to say “beef” … very, very well said. By limiting who gets in the door and writing them off before they even begin, you are lowering the overall potential.

    No, Sassycatz, I meant ‘brief’, as in the written document used in legal adversarial systems that explains why an argument should prevail.

    However, ‘Beef’ would work too!

    And This – in spades – even though the Baby Boomer die-off is gonna take a while – *snerk*

    And I wouldn’t be so sure that once the baby boomers and the entertainers they’ve loved die off that another generation won’t be interested in people with similar talents. After all, these same youngsters show up at these concerts and seem to be having a blast. And it isn’t because the performer is male, or white, or plays a guitar but it’s because they are talented.

    There is plenty of evidence that an affinity for different sorts of rock music is not solely generational – or confined to people from the Baby Boom Years, 1946 to 1964…which is a HUGE span compared to the next named generations.

    Rock and Roll will never die – it’s actually true.

  • standtotheright

    And I wouldn’t be so sure that once the baby boomers and the entertainers they’ve loved die off that another generation won’t be interested in people with similar talents.

    I don’t think anyone is saying that. I do think that if one looks at the festivals that attract large numbers of music fans in their 20s and 30s (Coachella, SXSW, Lollapalooza, etc.) that fans expect and respond to a slate of acts including rock bands but also hip-hop, EDM, R&B, and sometimes straight-up pop. Big tribute/charity shows in the future are probably going to follow that model and, I suspect, will do fine with it.

  • http://twitter.com/KariannHart Kariann Hart

    The Baby Boomer Generation covers a lot of years – and we still buy music.

    Indeed!  Our children also seem to like the music we grooved to in the 1960′s and 70′s.  Oh, and their children like those “Guitar Hero” type of video games which just happens to include a lot of the Baby Boomers music.  Rock and Roll can bridge generational gaps!  I actually consider Bon Jovi and Nirvana a little more current, than the “old guys.”

    Rock and Roll will never die – it’s actually true.

    All this talk of “us” dying is frightening, but true.

  • marmom07

    Not all young people today are in love with the current music scene. My daughter (18) and her boyfriend (20) and many of their friends have zero interest in today’s current pop music. The boyfriend and others are musicians themselves and they listen to a wide variety of (some new music) but a lot of classical music, from Mozart etc classical to Jazz to rock n roll to country…. the older classic  40′s- 50′s, 60′s, 70′s music is musically more complex and interesting to them as musicians than today’s current manufactured stuff (so they tell me). My hope is sometime in the near future commercial radio will lose it’s stifling, choke hold on musical creativity and we can get back to a time where music genre’s are not so narrowly defined and there are more than a handful of artists that are played on the radio at any one time. The repetitiveness is one reason I don’t listen to radio anymore.

  • Karen C

    Not all of these guys, from last night’s show, were immediate stars right out the gate.

    Right, and I think that this shows the longevity that this type of artist could have,  much more so than for most pop stars. Very few pop stars have careers of more than 10 years, let alone 30 or 40. 

    But isn’t it interesting how few performers there were of the sort AI fans claim to want to see win AI … like diva women, R&B folk, or dancing singers, to name a few?

    I think there is still a big audience, both young and old,  for rock, and country too,  and that the reason for the WGWG doing so well on AI is a sign that many people still prefer this type of music.  Or at least among the audience that watches AI.

    Quite a few people at work have said that their kids listen to classic rock or country instead of most current pop, which they don’t really like.  And I live in the Northeast.  I have also noticed that every rock concert I go to has a mix of all ages, from 40s to teens.

  • http://twitter.com/ksgirl123 Lu

    Well someone must still like these old guys because I heard they raised 80 plus million.  Long live R & R.