Yet another Idol has been dropped, but not by their record label. The latest casualty is Season 3′s winner, Fantasia Barrino, and it’s Simon Fuller and 19m that’s doing the dropping. This is according to Shirley Halperin at the Entertainment Weekly Hollywood Insider:

Since her 2004 American Idol win, Fantasia Barrino has weathered her fair share of music business shake-ups, surviving mergers and the recent repositioning of her mentor Clive Davis, who signed her to J Records. Though she still has her contract at J, EW.com now hears that as of today, Fantasia has been dropped from the Simon Fuller-owned 19 Management. The reason for the sacking, according to sources, is that the R&B diva would simply not heed the firm’s professional advice. “There’s only so much energy you can put into helping someone’s career if they don’t want to listen,” hints an insider. However, like many other Idol contestants, Fantasia remains on Fuller’s label, 19 Recordings, and will continue to share music sales profits with the company.

According to the source, deals for David Cook, Carrie Underwood, Chris Daughtry, Jordin Sparks, and Blake Lewis remain in tact.

The past couple of years have been filled with success for Fantasia. Her last album, Fantasia did well on the R&B charts, garnering a hit single, “When I See You”. She starred in the highly rated (but critically panned) movie of her life story on the Lifetime channel, and earned great reviews playing Celie in the Color Purple on Broadway. She’s set to play Celie in the upcoming movie version of the musical. Oprah loves her!

Looks like Fantasia has her own ideas about where her career should be heading…

 
  • t2

    It’s times like these that I wish I wasn’t a technotard because I would immediately post the picture of Simon viewing her appearance on AI this year. Good times, good times.

    I have no doubt that Fantasia will land on her feet though, and I will be tortured with her singing for years to come….sigh….

  • http://blog.syracuse.com/idolthoughts/ foxydonna

    I have no doubt that her bizarre performance on Idol (and Simon C’s priceless reaction) was indicative of the problems they’ve had managing her career. She’s a free spirit and is gonna do what she’s gonna do. So she finds another management company that will be more in line. No biggie.

  • ianamy

    Weird. I thought management almost never drop artists? Why drop them if you can get a cut on how much money they are going to make?

  • penzap

    According to the source, deals for David Cook, Carrie Underwood, Chris Daughtry, Jordin Sparks, Clay Aiken and Blake Lewis remain in tact.

    Clay Aiken isn’t managed by 19

  • jdanton2

    I think 19 still manages Ruben . afterall he got to sing the send off song this year.

  • baxter

    Management companies are just like any other business. An artist makes them no money, you get dropped. In Fantasia’s case, read the info from the ” insider”

    à ¢Ã¢â€š ¬Ã…“Thereà ¢Ã¢â€š ¬Ã¢â€ž ¢s only so much energy you can put into helping someoneà ¢Ã¢â€š ¬Ã¢â€ž ¢s career if they donà ¢Ã¢â€š ¬Ã¢â€ž ¢t want to listen,à ¢Ã¢â€š ¬  hints an insider.

    Sounds like Tasia either 1) Wanted to go in a different direction than her Management wanted her to go, resulting in less work offers (which means less money in the 19M coffers)
    2) She was turning down offers that her management had arrainged for her (resulting in less money in the 19M coffers)
    3) She was an absolute nightmare to work with (resulting in NO amount of money in the 19M coffers made it worth having her as a client..LOL)

    Ultimately, any business is going to weigh the input vs. the output. If output is greater, deadweight gets cut.

  • soundscene

    Clay Aiken isnà ¢Ã¢â€š ¬Ã¢â€ž ¢t managed by 19

    And David Archuleta is. The insider got their info a little mixed up.

  • abbysee

    Bravo Fantasia, go ahead and free yourself as one of your songs say. It’s obvious that Fannie is a free spirit and truthfully though Daughtry and Carrie are flying high and will probably continue to do so, 19 mgt doesn’t have the desire to work with those who are ‘different’.

    Looks like Fantasia has her own ideas about where her career should be heading

    Amen to that!

    à ¢Ã¢â€š ¬ ¦

  • milajoy

    I wonderef how fast 19 would run after that freakshow, Simon jawdropping AI7 appearance….

  • abbysee

    If that were the only time she graced the stage maybe, but did that negate Summertime, I Believe, or I Am Here? Anyway, she gets the best out of this deal imho.

  • Lu

    I never saw the performance you all are talking about but now I have to try and find it on you tube. I want to see what “look on Simon’s face” everyone is talking about!

  • http://myspace.com/saltwatercures pj

    I actually thought her performance was wicked! Loved it. I think Simon is a bit narrow minded sometimes.

  • StevenD

    I LOVE Fantasia but I think that most will either love or hate her. I even thought that the last performance she gave on Idol was incredible and I do not usually care for that type of music. I thought she sang the heck out of that song and I think you always get a performance from her that leaves throws everything out there.

    I just think that maybe she doesnà ¢Ã¢â€š ¬Ã¢â€ž ¢t pull any punches and wants a very specific thing for herself that they might not agree with but they know she still sells records.

  • Lu

    LOL. Well I just watched it and i hated it. I was never a big fan of hers but she seemed to be screaming a lot and looked a little scarey! That’s the really great thing about the music biz. There’s something for everyone – different strokes!

  • http://www.myspace.com/gwendolyndiane GwendolynD

    Surprise, surprise…not.

    Tsk, ‘Tasia. That last performance on Idol probably did her in. That was horrific.

  • gelfling

    soundscene Jun 26th, 2008 at 6:58 pm

    Clay Aiken isnà ¢Ã¢â€š ¬Ã¢â€ž ¢t managed by 19

    And David Archuleta is. The insider got their info a little mixed up.

    Clay’s name isn’t in the article and you are correct, he sued to get out of the management contract in 2004. From the EW website

    A rep for 19 declined to comment, but assured EW that management deals for David Cook, Carrie Underwood, Chris Daughtry, Jordin Sparks, and Blake Lewis remain intact. 19 also represents Annie Lennox and The Spice Girls.

  • soundscene

    gelfling–it looks like they simply corrected the article after MJ posted, or I assume so since I never read the original article.

  • catdog

    Clay Aiken isnà ¢Ã¢â€š ¬Ã¢â€ž ¢t managed by 19

    And David Archuleta is. The insider got their info a little mixed up.

    Clayà ¢Ã¢â€š ¬Ã¢â€ž ¢s name isnà ¢Ã¢â€š ¬Ã¢â€ž ¢t in the article and you are correct, he sued to get out of the management contract in 2004. From the EW website

    A rep for 19 declined to comment, but assured EW that management deals for David Cook, Carrie Underwood, Chris Daughtry, Jordin Sparks, and Blake Lewis remain intact. 19 also represents Annie Lennox and The Spice Girls

    Now this makes sense. I knew he had sued. We discussed this in another forum – we were all a bit confused about Clay’s involvement with 19. Thanks gelfling

  • lg

    We’ll probably never know exactly why 19E dropped Fannie, not unless she spills. Something tells me there’s a lot more to the story than the “insider” is divulging.

    I’m a relatively new Fantasia fan, having first seen her perform with Elliott at the IGB thingie…her genuineness, talent and interaction with the children made a huge impression on me. Then, I went into Fannie fandom overdrive after that AI performance. Yes, WICKED is right! The Simons are freakin’ clueless.

    Go ‘head on Fantasia, you are the shit, girl!!!

  • tinawina

    It will be really interesting to see what Fanny does now that no one is there to reign her in. It will certainly be entertaining, that’s for sure.

  • http://myspace.com/girlgeek mj

    Clayà ¢Ã¢â€š ¬Ã¢â€ž ¢s name isnà ¢Ã¢â€š ¬Ã¢â€ž ¢t in the article and you are correct, he sued to get out of the management contract in 2004. From the EW website

    Clay’s name WAS in the article. They’ve since edited the original article.

  • ianamy

    That “bore me” performance is extraordinary. I think she will be around for a long, long time , perhaps much longer than some currently more successful alumni. Fantasia is very unique in a good way.

  • gemlake

    I doubt this was about money or her AI performance. If it was about money, they would have quietly dropped her. And the AI performance was exactly what the show loves–a water cooler moment that gets a strong reaction from the public.

    I think she’s about to do something very un-Idol like, either with her music or another project, and they don’t want to have any part of it. So they deliberately leaked the news of dropping her to EW, complete with a “creative differences” explanation, to get ahead of the story.

    I’m fine with her leaving 19. She didn’t make cookie cutter music for the American Idol audience, so they had no use for her. They only acknowledged the existence of her second cd after it received 3 Grammy nominations.

    As a fan, you get used to the fact that Fantasia is a disaster when it comes to image and marketing. That’s the way it has been, that’s the way it always will be. Oprah has already sat her down to talk about it. http://www.people.com/people/article/0,,20202509,00.html?xid=rss-fullcontentcnn

    If Oprah can’t get through to her, I don’t think anyone can. But as long as she has her voice, she will have a career.

    This is the track that is floating around the internet as a possible single for her third album. It doesn’t sound controversial to me, but you never know with Idol.

    http://blogs.sohh.com/soul/2008/06/fantasia_goes_f.html

  • http://stores.ebay.com/BookWomanBlues-Book-Nook Bobbi

    That’s not bad at all, gemlake! I like it.

  • daisy

    Tasia is nobody’s fool,and I wish her well. She is fierce, outlandish and unique, but AI likes its cookie cutter idols, and she is that square peg. I loved her performance on AI, she did get the masses talking and after refried, reheated versions of generic trite songs, it was a welcome relief.
    Fortunately, it appears the the r/b community does “get her” and she will have an opportunity to share projects, and make her music. Looking forward to anything she does

  • hicksaholic

    Add me to the Love Fantasia column. I am much more impressed with those talents willing to try new things and go in different directions then those who do the same thing over and over. (a la Daughtry and Underwood, not taking anything away from their talent and success)

  • SpenserJ

    I actually thought her performance was wicked! Loved it. I think Simon is a bit narrow minded sometimes.

    Me too pj. I love Fanty – weird hair, crazy antics and all. Her voice has so many layers and so much character, I could listen to her all day.

    She’s overcome so many obstacles, I don’t think this girl knows how to quit. That kind of personality doesn’t always quite fit with the big corporate mentality. But I have no doubt she’ll land on her feet yet again.

  • bambambam

    Simon’s expression was a perfect symbol of how he has absolutely no comprehension of anything truly American — country, for example, or the sanctified African-American church.

    I think it was about time 19 admitted they have nothing to do with the urban market, and no comprehension of the relationship between Fantasia and her fans, especially the ones who flocked to see her on Broadway.

    Of course, 19′s style is more the harmless and accommodating Leona Lewis, whose massive pop music smash “Bleeding Love” peaked at No. 74 at black radio…even Amy Winehouse’s album was a No. 4 urban album and Leona’s not on that chart. Shows you the kind of positioning 19 prefers for a black artist.

    No shame on either side. Just admitting the truth about what 19 is in essence and what Fantasia is in essence.