Brian Mansfield reveals the tracklisting and credits for Casey James’s self-titled debut album due 3/20. Casey co-produced his debut album with Chris Lindsey with fellow songwriter Aimee Mayo co-producing the album’s final song. Check out the tracklisting, songwriting credits, and links to live performances of 7 of the album’s songs. Tracklisting and credits come via USA Today. Casey James cowrote 9 out of the 11 songs on the album.

1. “The Good Life” (Casey James/Scooter Carusoe)
2. “Crying On A Suitcase” (Lee Thomas Miller/Tom Shapiro/Neil Thrasher)
3. “Let’s Don’t Call It A Night” (Casey James/Brice Long/Terry McBride)
4. “Drive” (Casey James/Brad Warren/Brett Warren) * see below for video
5. “Love The Way You Miss Me” (Casey James/Brice Long/Terry McBride) * see below for video
6. “Undone” (Casey James/Scooter Carusoe) * see below for video
7. “So Sweet” (Casey James/Dallas Davidson/Patrick Davis)
8. She’s Money (Casey James/Jaren Johnston)
9. “Tough Love” (Casey James/Brett James/David Lee Murphy)
10. “Workin’ On It” (Bob DiPiero/Brandon Kinney/Daniel Tashian)
11. “Miss Your Fire” (Casey James/Chris Lindsey/Aimee Mayo)

Brian Mansfield also reports:

Casey plays electric and acoustic guitar throughout his album, which features lots of the slide playing that his fans had been hoping for. Pat Buchanan, Ilya Toshinsky and B. James Lowry also played guitar on the album, with Dan Dugmore playing pedal steel.

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  • Anonymous

    Thanks for the link.  ‘Miss Me’ is as good a title as any…I like how it’s buried in the song rather than an obvious title that’s sung over and over.  I love the song, words and melody are a perfect match, which is not always the case. 

  • Anonymous

    “it’s just something unfamiliar in the bubble and for people inside the bubble . most recent example is Hunter Hayes , who co-wrote the whole album , played every instrument & co-produced it and of course putting his vocals on the tracks . ”

    Exactly, meme. I thought of HH immediately. To me, this is a sign that the label believes Casey J has the talent to write, perform and produce.

  • Anonymous

    “Having Casey wear so many artistic hats is also an inexpensive way for his label to get the album made. I doubt they paid him a lot money, as they would have with more established writers and producers.”

    Ah, but the label did put out quite a bit of $$ to hire a whole stable of well-established, expensive writers to work with Casey. The Warrens, Terry McBride, Aimee Mayo, Brett James, Brice Long, Patrick Davis – all of these peeps are well known in country music. And that’s not even mentioning songs that didn’t make the album – written with Oscar winner, Tom Davis and Delbert McClinton & “Big Al” Anderson and Sugarland’s Kristen Bush

  • LVD

    Ah, but the label did put out quite a bit of $$ to hire a whole stable of well-established, expensive writers to work with Casey. The Warrens, Terry McBride, Aimee Mayo, Brett James, Brice Long, Patrick Davis – all of these peeps are well known in country music. And that’s not even mentioning songs that didn’t make the album – written with Oscar winner, Tom Davis and Delbert McClinton & “Big Al” Anderson and Sugarland’s Kristen Bush 

    It is certainly not a bad thing to keep costs down. I hope they have really kept costs low. The less expenses you incur for the label the less you have to make up for it with sales at the end of the day. 

  • http://www.facebook.com/people/Chris-Cassaday/100000840860401 Chris Cassaday

    Or maybe Casey wanted to co produce and had nothing to do with money.

  • Anonymous

    It all has to do with the money.

  • http://www.facebook.com/people/Chris-Cassaday/100000840860401 Chris Cassaday

    Not always. I am tired of the crap that people are saying casey only got to co produce because they didnt want to dish out money. Do any of you ever stop and think that casey wanted a hand in producing and bna sees how talented he is a agreed to it. Casey playd several instruments and knows what kind of sound he wanted. He wasnt some young kid on idol who you were going to just have pick out songs and make a cd

  • Anonymous

    I wouldn’t say the guy has a lot of star power.  I’ve pretty much forgotten he existed, and that was WHILE he was on the show. LOL. Oh yeah. Casey. That’s the one that hasn’t performed yet!  Is he being handled differently than other artists from the show?  Interesting question. Producing doesn’t seem all that weird. It feels like when Crystal was allowed to record all her old [and IMO too old] songs without co-writers. I had the feeling they were ‘dumping’ the album back then. It was cheap for them, and frankly they didn’t seem to care. So I don’t know that this means that Sony Nashville is all HE’S A STAR! Certainly he’s being given more time to cook an album. The real test will be in his promotion. 

    That said, I do like his single and I wish him luck.  

  • iFoundIt

    Except that Casey has no track record to speak of. He really hasn’t proven himself in the marketplace – as a producer, as a writer or even as a performer.  So for his label to just hand over all this control seems suspect.

    But it could be a situation similar to what happened with Crystal – where label just really doesn’t care.

    I also agree that it does boil down to money.

  • http://www.facebook.com/people/Chris-Cassaday/100000840860401 Chris Cassaday

    I think if you would go look at a lot of country artists who are new they are given a lot of freedom and control. This isnt pop music and like I said casey is a fully formed artist not a 15 yearold kid who didnt know what he wanted

  • http://www.facebook.com/people/Chris-Cassaday/100000840860401 Chris Cassaday

    LOL. They wouldnt have been letting him find the right music if they didnt care and certainly would not of signed him

  • Anonymous

    I’ve always loved Casey, and when he was on the show it was because of that guitar. I didn’t care if he sang or screeched.

    But I have to agree with those who say his singing has improved. He sounds really good. And really marketable. I think “Love the Way You Miss Me” might have legs.

  • Anonymous

    BNA has stated that Casey has been signed on as a normal new artists, and Casey has been doing exactly the same type of promotion as any other new artists. I am pretty sure that their expectations are the same as with any other new artists.

    Source please?

  • LVD

    It feels like when Crystal was allowed to record all her old [and IMO too old] songs without co-writers. I had the feeling they were ‘dumping’ the album back then. It was cheap for them, and frankly they didn’t seem to care. 

    The only thing Casey and Crystal has in common is that they both happened to be on the same season of AI. There is no comparisons in the real music industry. For one Crystal is female (which means she already has a host of different issues in some genres), she was singed to Jive who didn’t exactly know where to market her. They wanted to market her to HAC and Crystal is more AAA. Jive made her finish her album as quickly as possible, they released two singles half-heartliy because they couldn’t agree on the singles. They are not even in the same genre so it pointless to compare. And I am pretty sure if we asked Crystal today if she regrets putting out her own music, she will not regret it in any way. That is who she is as an artists. Casey is straight forwardly a country artists, who have taken two years to produce an album, which again is pretty normal for any new country artists. If BNA completely didn’t care they could have made Casey release an album just after he was on idol. Things move slowly in country a new artists needs time to establish himself, that is how the country market works, many new artists are given a lot of time to develop themselves, it is not uncommon in country. They have released a single for Casey in August last year, and they are behind the single (see Aircheck adds ext.). They have calculated the time of Casey’s album release for when his single is most likely projected to be in the top 30, again that is pretty standard for new country artists. And currently as things stand, Casey is the new artists that is doing the best on the charts between all of BNA/ Columbia’s new artists (not that it is some kind of competition). That is what it is all about, the label needs to know that you have potential with radio, and that radio are going to play you because that is where they are going to market you in the future. If radio doesn’t want to play your music, then you dont have a future. But it takes time in country to built up that credit. Someone like David Nail would be seen as a complete failure sales wise in idol terms, he sold 12k his first week but he has just had a no. 1 hit. On the other hand I bet someone like Kellie Pickler could actually outsell David Nail, but her last two singles peaked at #30 on the charts, and that is causing her much more problems then album sales. However, BNA is still very much behind her. If a label thinks you thinks you have potential with radio, then they will be behind you. It would be the same for Casey he needs to prove to BNA that radio likes him and that they are interested in playing his music in the future, which again is the same with any new artists. The same is basically true for anyone who comes from idol.

    Except that Casey has no track record to speak of. He really hasn’t proven himself in the marketplace – as a producer, as a writer or even as a performer.  So for his label to just hand over all this control seems suspect. 

    You dont need a track record, country artists are given a bit more freedom with things like production and instruments. Hunter Hayes is a 21 year old new artist who produced his own album and played all of the instruments on his album. It depends more on what type of artist you are. As Windmills has said Casey properly has specific idea for his music and how it should sound, and that is most likely how the co-producing came about. Casey isn’t just about laying vocals, a big part of his music is the instrumental part.  It they can keep costs lower at the same time why not? The less expenses you incur for you label, the more profits they will have. 

    Source please?

    Casey himself, Gary Overton and A&R people from Sony. It has been posted and discussed here more then often enough. You can take my word for it, or you dont have too.

  • Anonymous

     It feels like when Crystal was allowed to record all her old [and IMO too old] songs without co-writers. I had the feeling they were ‘dumping’ the album back then. It was cheap for them, and frankly they didn’t seem to care.

    Crystal rushed out an album in just three months.  Her album only included one or two songs that were written after AI.  Casey’s label has allowed him to work on this album for more than a year, and has let him work with established and very successful writers.  They’ve also had a hand in him working the country music festival circuit, which makes it look like he’s not afraid to pay his dues. These two situations don’t seem to be the same at all.

  • Anonymous

    All I can say about the situation regarding Casey co-producing his album is that he knows what he wants and the label simply trusts in him enough to let him have some control of how the album ends up sounding. Everyone above me said it better than I ever could!

  • Anonymous

    Can’t wait for March 20th… which happens to be my birthday in addition to Casey’s album release!

    I would have liked Bulletproof to be on the album, but it’s definitely more of the roadhouse kind of music rather than the upbeat and romantic sort of flavor Casey seems to be going for on his first album.

    That’s not unusual though. As long as he still plays some of his other songs that didn’t make the album in concert, that’s okay me.

    I think it would be great if they release a second single before the release of the album, especially Drive which I think would be a great song to introduce in the Spring to grow into the Summer.

    As for co-producing the album, it’s probably a combination of cost savings (maybe Casey’s idea? He seems pretty frugal) and finding a co-producer who he his a really good rapport with.

    Given the length of time that he’s been out of the Idol sphere, I think his trajectory will be more like what is common for new artists in country music rather than American Idol alumni. Of course, I don’t care how many units he sells, because that isn’t how I
    judge whether I like an artist or whether an artist will have a career
    in music at some level.

  • http://www.facebook.com/profile.php?id=100001898462374 Laura Patterson

    I hope you’re wrong about Casey not being invited to perform on Idol this year.  I think that would be a tremendous opportunity to show everyone that Season 9 wasn’t the complete washout they paint it to be.  The fact that so much has changed on Idol might not work in Casey’s favour.  I still hold the hope that Randy and Ryan are enough of a connection to Season 9 and that they give Casey a shot at the huge audience that watches Idol.

  • http://www.facebook.com/people/Portrait-Painter/1123595852 Portrait Painter

    Windmills, you must be inhabiting my mind (again)!  It’ll be exciting to hear the new ones, but wished he’d published the lyrical/ musical genius of “Til My Guitar . . “, “Show Me a Bridge” and (esp.) “I Lied.”  Agree “Miss Me When I’m Gone” (aka “the phone-sex song”) is easily weakest, and ”So Sweet” is more simplistic–verging on sappy than I’d wish. I could have lost LDCIAN for my choice as the sleeper hit: Bulletproof. (? bonus track). Disclaimer: I do prefer the gritty/ angsty stuff. Sending good wishes for success knowing that intelligent/artistic choices were made by those who know best.

  • Anonymous

    I may be naive, but I can’t imagine him not breaking big.  Love his jazzy, bluesy take on country.  He is a super skilled guitar player and it is so fun to watch how much he loves to play. 

  • Anonymous

    I can hardly wait for March 20th. I’ve already preordered the album.  Casey is one of those artists who is sooooo great performing live. We’ve (me and hubby) seen his twice.  Its going to be interesting how his music translate to recorded (the album). Sounds like his album is going for his music which is more “radio friendly”.

    Personally I don’t see how his bluesy side would translate into recorded music; hard to put “blues” in a box.  That side of him is best savored in person because a lot of it is raw and “in the moment”.

     So, if you love the bluesy gritty side of Casey, be sure and catch him live, he is touring all over the country, and at small venues with affordable prices this year so catch him while he’s still more accessible, money wise, because he is going to be huge. He’s the whole package (as they say on Idol — a lot LOL).

    We will definitely go see him again live when he comes our way (my husband is a big fan of his as well).

  • Anonymous

    Well this is exciting! I’ve always loved Casey’s voice with a little grit and no surprise, I love Workin On It and Drive!  On the other hand, Miss Your Fire is absolutely stunning. It sounds like something Nickel Creek would do, sort of blue grass-y and a totally different flavor of Casey.